When I have writer’s block, I pose the psychedelic frog on my desk. (The above picture is of him being dramatic.) Then I read Anthony Lane, the critic for The New Yorker. His writing is essential reading for anyone doing criticism.
His advice on writing reviews: “The primary task of the critic…is the recreation of texture – not telling the movie-goers what they should see, which is entirely their prerogative, but filing a sensory report on the kind of experience into which they will be wading, or plunging, should they decide to risk a ticket.”
He doesn’t just say that people “look like cavemen”; he says that they look like “they only just discovered fire last week.” He doesn’t just say that someone has a hulking brow; he says: “I feel confident that you could strap it to the front of a truck and use it to clear snow.” Continue reading “Writing movie reviews: Nobody’s Perfect”